Pedro A. Gutiérrez F. (PG50) is a Bolivian civil engineer, writer, filmmaker, editor, and territorial developer.
But above all, he is a creator.
His trajectory is not born from a business opportunity, but from an inner need for permanent construction. From a young age, he understood that to think is to structure reality and that to create is to intervene in it.
A self-taught scholar in political sociology and philosophy, he has studied for decades the invisible structures that organize society: power, narrative, economics, and culture. This conceptual foundation is the axis that articulates all his work.
Painting and literature were his first territory of creation. After years of publishing short stories and narrative texts, in 2003 he published the novel El dueño del mundo (The Owner of the World).
In 1989, he conceived the project that would later consolidate as Editorial La Hoguera, a cultural platform oriented towards education and critical thinking.
Starting in 2010, he transferred that same conceptual logic to the physical territory, developing large-scale urban and residential projects in Bolivia and currently also in Panama.
In 2016, he made his first film, Bárbara, and in 2019, the film Santa Clara.
Since 2020, he has been developing the international series Hienas y Buitres (Hyenas and Vultures), an audiovisual exploration of power, geopolitics, and contemporary ethics.
In all cases, the creative process has been the same:
first the idea, then the structure, finally the construction.
Graduation as a Civil Engineer. Start of pictorial, literary, and academic production
Conception of the La Hoguera publishing project.
Formalization and consolidation of Editorial La Hoguera.
Publication of the novel El dueño del mundo
Real estate development and large-scale territorial planning.
Writing, directing, and producing the film Bárbara.
Writing, directing, and producing the film Santa Clara
Development of the international series Hienas y Buitres.
Integration of cultural and territorial projects under a global strategic ecosystem.
Every work implies a stance toward the world.
Creating is not merely producing; it is assuming the responsibility of intervening in reality.
Painting, literature, film, education, and the land are different expressions of the same mental architecture.